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	<title>Landscapes</title>
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	<description>Dipinti antichi a Torino dal 1993</description>
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	<title>Landscapes</title>
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		<title>Vittorio Amedeo Cignaroli (Turin 1730 – 1800), Landscape with wayfarers and herds near a bridge</title>
		<link>https://www.galleriagiamblanco.com/en/prodotto/vittorio-amedeo-cignaroli-turin-1730-1800-landscape-with-wayfarers-and-herds-near-a-bridge/</link>
		
		<dc:creator><![CDATA[Galleria_Giamblanco]]></dc:creator>
		<pubDate>Thu, 27 May 2021 16:36:32 +0000</pubDate>
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					<description><![CDATA[This delicate and airy rural scene, probably attributable to the painter's early maturity, towards the mid 1760s, highlights Cignaroli’s great skill in rendering the luminous and atmospheric effects, noticeable in particular in the slight chromatic variations between the foliage of the trees, in the gradual fading of the horizon light and in the silvery transparency of the water. Great care is also put into the representation of the figures in the foreground, skilfully constructed with swift touches of colour, and to the imaginary building that stands out against the scenic background.]]></description>
										<content:encoded><![CDATA[<p>Artist: <strong>VITTORIO AMEDEO CIGNAROLI </strong>(Turin 1730 – 1800)<br />
Title: <em>Landscape with wayfarers and herds near a bridge</em><br />
Medium: Oil on canvas<br />
Dimensions: cm 65,5 x 101<br />
Period: 1765 c.a</p>
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		<title>Vittorio Amedeo Cignaroli (Turin 1730 &#8211; 1800), Arcadian landscape with noblewomen by the jetty</title>
		<link>https://www.galleriagiamblanco.com/en/prodotto/vittorio-amedeo-cignaroli-turin-1730-1800-arcadian-landscape-with-noblewomen-by-the-jetty/</link>
		
		<dc:creator><![CDATA[Galleria_Giamblanco]]></dc:creator>
		<pubDate>Thu, 27 May 2021 16:32:10 +0000</pubDate>
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					<description><![CDATA[[...] of particular charm, disclosing and narrating the happy tale of Arcadia with  noblewomen and knights and their delightful easy-life. The figures represent noble women, immersed in a fresh and luminous bucolic atmosphere in the countryside, on the banks of a small river, interacting with a river boat: they represent the fortunate Piedmontese aristocracy, who live in an imaginary pastoral community, in which agrarian  land is borrowed as the garden. In this fictitious pastoral world tender loves blossom and the sentimental air of this rural scenery is restricted, like the dimensions of a small paradise, to the dimensions of this canvas.

Like the nymphs of certain Arcadian painters, Turinese ladies on vacation stroll among flowers, dance on lawns, dine on grass: on canvas, the poetic arcadia is elevated to lightness, gallant and gracefulness, tending to create attractive shades, in consonance with the figurative developments of the Rococo…

Click <a href="https://www.galleriagiamblanco.com/wp-content/uploads/2021/03/Catalogo-Pittura-italiana-dal-Seicento-al-Settecento-2015_.pdf">HERE</a> for a full description in the <em>2015 Giamblanco Catalogue</em>, pg. 78.]]></description>
										<content:encoded><![CDATA[<p>Artist: <strong>VITTORIO AMEDEO CIGNAROLI </strong>(Turin 1730 &#8211; 1800)<br />
Title: <em>Arcadian landscape with noblewomen by the jetty</em><br />
Medium: Oil on canvas<br />
Dimensions: cm 79 x 107<br />
Period: 1700</p>
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		<title>Giuseppe Zais (Forno di Canale d’Agordo 1709 &#8211; Treviso 1784), Two landscapes with figures</title>
		<link>https://www.galleriagiamblanco.com/en/prodotto/giuseppe-zais-forno-di-canale-dagordo-1709-treviso-1784-two-landscapes-with-figures/</link>
		
		<dc:creator><![CDATA[Galleria_Giamblanco]]></dc:creator>
		<pubDate>Thu, 27 May 2021 16:10:57 +0000</pubDate>
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					<description><![CDATA[These two beautiful unpublished gouaches depict placid countryside landscapes furrowed with calm and clear streams that reflect the blue of the sky. Leafy trees, a few houses with thatched roofs, ancient towers nearby and afar, figures of fishermen, washerwomen and wayfarers, some farm animals and in the distance blue mountains all evoke peaceful idyllic rather than fatiguing places, and where time slows down (so different from what we experience in our days). The human figures are conversing and contemplating nature. They are landscapes that most certainly derive from real life, though rendered and refined to an Arcadian ideal. [...]

The style and top quality of these works allow us to identify the Artist as being the Agordian painter Giuseppe Zais, possibly in the period of his full maturity. In fact, probative comparisons can be made with a number of his other works: the closest one being the beautiful canvas depicting a “Landscape with female figures” that is kept at Basildon Park (Reading), National Trust. In these two scenes, we can equally see not only the influence of Marco Ricci, who is from Belluno like Zais and who was also a great master in the medium of gouache and frequented by him in Venice, but especially also the influence of Francesco Zuccarelli's delicate Arcadia.]]></description>
										<content:encoded><![CDATA[<p>Artist: <strong>Giuseppe Zais </strong>(Forno di Canale d’Agordo 1709-Treviso 1784)<br />
Title: <em>Two landscapes with figures</em><br />
Medium: Gouache on paper<br />
Dimensions: cm 43 x 51 each<br />
Period: Second half of the 18th century</p>
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		<title>Angelo da Campo (Verona 1735 &#8211; 1826), Landscape with shepherds and horsemen</title>
		<link>https://www.galleriagiamblanco.com/en/prodotto/angelo-da-campo-verona-1735-1826-landscape-with-shepherds-and-horsemen/</link>
		
		<dc:creator><![CDATA[Galleria_Giamblanco]]></dc:creator>
		<pubDate>Thu, 27 May 2021 11:31:49 +0000</pubDate>
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					<description><![CDATA[Pier Luigi Fantelli’s expertise attributes this painting to Angelo da Campo from Verona. This attribution is based on the existence of a canvas readily comparable to this one, signed "Angelus de Campo F. Verone" and dated 1772, which was seen several years ago in the antiques market, at the Ribolzi Gallery in Monte Carlo.

Da Campo’s painting style was probably shaped under the guidance of Michelangelo Prunati, as suggested by Diego Zannandreis, who included the artist’s biography in his book Vite dei pittori, scultori e architetti veronesi (first published in 1891, though written in the 1830s); subsequently - quoting Zannandreis - he "set out to work for himself, painting several panels and frames that gained him great esteem”.

The artist's first notable works are his frescoes at Villa Fracanzani in Ponso, near Padua, executed in 1768 in collaboration with the Bolognese quadraturist Filippo Maccari; the two also worked jointly on decorating the hall at Villa Marioni Pellegrini in Chievo, depicting the "Apotheosis of Hercules", which was later obfuscated by modern repainting. In the same period, the artist must have worked on the altarpiece in the parish church of Ponso, depicting the "Assumption of the Virgin", influenced by the styles of Giambettino Cignaroli and Antonio Balestra.

From 1774 to 1777 and from 1784 to 1787 Angelo da Campo took on the role of "master of the week" at the Academy of painting, which had been founded in 1764 by Cignaroli; thus, from 1789 to his death he held the three-year office of Academy Director three times.

The artist's most important commission emerged in 1786, the "Meeting between Saint Ambrose and Emperor Theodosius”, for the church Sant’Ambrogio di Valpolicella, at the behest of the noble Giorgio Volpini.

According to ancient sources, Da Campo enjoyed the reputation of a good portraitist. Zannandreis also recalls him as being well-known for his landscapes "of excellent workmanship on figures of knights and ladies on horseback", "as you can see in the Bernini house, in S. Salvator Vecchio in Verona", of which this painting constitutes a valuable example. Professor Fantelli's expertise points to how the neoclassical and academic suggestions found in the figures of the "educated" shepherds unite with an almost "pre-Romentic" rendering of the river landscape, albeit strongly "tinged with memories of the Porta and the Veronese landscape of the 18th century".

Click <a href="https://www.galleriagiamblanco.com/wp-content/uploads/2021/02/Catalogo-venticinque-anni-di-attivita.pdf">HERE</a> for a full description in the <em>Catalogue Twenty-five years of activity 2017/2018</em>, pg. 88-89.]]></description>
										<content:encoded><![CDATA[<p>Artist: <strong>ANGELO DA CAMPO </strong>(Verona 1735 – 1826)<br />
Title: <em>Landscape with shepherds and horsemen<br />
</em>Medium: Oil on canvas<br />
Dimensions: 120 x 137 cm<br />
Period: second half of 18th century</p>
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