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	<title>Historical</title>
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	<description>Dipinti antichi a Torino dal 1993</description>
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	<title>Historical</title>
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		<title>Tommaso Maria Conca (Gaeta 1732 &#8211; Rome 1822), Offering gifts to Coroliano</title>
		<link>https://www.galleriagiamblanco.com/en/prodotto/tommaso-maria-conca-gaeta-1732-rome-1822-offering-gifts-to-coroliano/</link>
		
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		<pubDate>Thu, 27 May 2021 16:28:09 +0000</pubDate>
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					<description><![CDATA[This artwork was published in <em>La pittura neoclassica italiana, </em>by A. Cera, Longanesi, Milan 1987.

“Son of the painter Giovanni and Anna Laura Scarsella, Tommaso Maria Conca was born in Rome on 22nd December 1734 and was baptised at S. Lorenzo in Damaso on the 24th. A funeral eulogy preserved in the Archives of the Accademia di S. Luca (vol. LXXII, n. 116, also in S. Conca, 1981, pp. 391 - 392) contains the main points of his biography. Conca spent a part of his childhood in Turin where his father, invited by the king of Sardinia, lived from November 1738 to June 1748, after which he returned to Rome. At his father's school Conca learned the principles of drawing and painting ”. – Enciclopedia Treccani, Tommaso Conca]]></description>
										<content:encoded><![CDATA[<p>Artist: <strong>TOMMASO MARIA CONCA </strong>(Gaeta 1732 – Rome 1822)<br />
Title: <em>Offering gifts to Coroliano</em><br />
Medium: Oil on canvas<br />
Dimensions: cm 73 x 136<br />
Period: Second half of the 18th century</p>
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		<title>Gian Antonio Pellegrini (Venice 1675 &#8211; 1741), Scipio’s magnanimity</title>
		<link>https://www.galleriagiamblanco.com/en/prodotto/gian-antonio-pellegrini-venice-1675-1741-scipios-magnanimity/</link>
		
		<dc:creator><![CDATA[Galleria_Giamblanco]]></dc:creator>
		<pubDate>Thu, 27 May 2021 16:04:18 +0000</pubDate>
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					<description><![CDATA[The painting depicts an episode in the life of Scipio The African, who is mentioned for the first time in Livio (26.50), mentioned again in Polybius (10, 17, 19) and rhymed in Petrarch (Africa, 4, 375-388). The Roman leader Scipio, having conquered the Spanish city of New Carthage, is being offered a young woman as part of his victor's booty. But upon learning that the girl has been betrothed, Scipio summons Allucio, the man she was supposed to marry, and returns her to him, along with the sum of ransom that the girl’s relatives had managed to scrape together and offered to him, in the hopes of freeing her. This was a rather popular theme in Venetian painting between the 17th and 18th century.

The most evident compositional and thematic prototype, which inspired many others, is to be found in the paintings of Sebastiano Ricci at Palazzo Marucelli-Fenzi in Florence and at the National Gallery of Parma ...

Click <a href="https://www.galleriagiamblanco.com/wp-content/uploads/2021/02/Catalogo-pittura-italiana-dal-Seicento-al-Settecento-2014.pdf">HERE</a> for a full description in the <em>Catalogue of Italian painting from the 17th to 18th century 2014</em>, pg. 50-51]]></description>
										<content:encoded><![CDATA[<p>Artist: <strong>GIAN ANTONIO PELLEGRINI</strong> (Venice 1675 – 1741)<br />
Title: <em>Scipio’s magnanimity</em><br />
Medium: Oil on canvas<br />
Dimensions: 105 x 130 cm<br />
Period: 1700</p>
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