Exclusive https://www.galleriagiamblanco.com Dipinti antichi a Torino dal 1993 Tue, 27 Jul 2021 11:04:30 +0000 en-GB hourly 1 https://wordpress.org/?v=6.5.5 https://www.galleriagiamblanco.com/wp-content/uploads/2020/12/Icona-sito_Giamblanco-100x100.png Exclusive https://www.galleriagiamblanco.com 32 32 Giovanni Battista Carlone (Genoa, 1603 circa – Parodi Ligure, 1684 circa) – Joseph and Potiphar’s wife SOLD https://www.galleriagiamblanco.com/en/prodotto/giovanni-battista-carlone-genoa-1603-circa-parodi-ligure-1684-circa-joseph-and-potiphars-wife-sold/ Tue, 27 Jul 2021 11:04:29 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=4697 Artist: Giovanni Battista Carlone (Genoa 1603 – Parodi Ligure 1684)
Title: Joseph and Potiphar’s wife, 1630-1640 circa
Medium: Oil on canvas
Dimensions: 135 x 165 cm
Period: Seicento

Unpublished

Painting with certificate of free circulation

SOLD

Expertise by prof. Camillo Manzitti

]]> Vittorio Amedeo Cignaroli (Turin 1730 – 1800), Landscape with wayfarers and herds near a bridge https://www.galleriagiamblanco.com/en/prodotto/vittorio-amedeo-cignaroli-turin-1730-1800-landscape-with-wayfarers-and-herds-near-a-bridge/ Thu, 27 May 2021 16:36:32 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3438 Artist: VITTORIO AMEDEO CIGNAROLI (Turin 1730 – 1800)
Title: Landscape with wayfarers and herds near a bridge
Medium: Oil on canvas
Dimensions: cm 65,5 x 101
Period: 1765 c.a

]]> Vittorio Amedeo Rapous (Turin 1729 -1800), Virgin Mary and blessing child https://www.galleriagiamblanco.com/en/prodotto/vittorio-amedeo-rapous-turin-1729-1800-virgin-mary-and-blessing-child/ Thu, 27 May 2021 16:34:39 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3436 HERE for a full description in the Catalogue Twenty-five years of activity 2017/2018, pg. 76-77]]> Artist: VITTORIO AMEDEO RAPOUS (Turin, 1729 -1800)
Title: Virgin Mary and blessing child
Medium: Oil on canvas
Dimensions: 80×64 cm
Period: 1760-65 circa
State of conservation: good

]]> Valerio Castello (Genoa 1624-1659), David’s Triumph https://www.galleriagiamblanco.com/en/prodotto/valerio-castello-genoa-1624-1659-davids-triumph/ Thu, 27 May 2021 16:29:53 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3432 HERE for a full description in the Catalogue Four centuries of painting, pg. 20-21]]> Artist: VALERIO CASTELLO (Genoa, 1624-1659)
Title: David’s Triumph
Medium: Oil on canvas
Dimensions: 144 x 198 cm
Period: 1600

]]> Tommaso Maria Conca (Gaeta 1732 – Rome 1822), Offering gifts to Coroliano https://www.galleriagiamblanco.com/en/prodotto/tommaso-maria-conca-gaeta-1732-rome-1822-offering-gifts-to-coroliano/ Thu, 27 May 2021 16:28:09 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3430 La pittura neoclassica italiana, by A. Cera, Longanesi, Milan 1987. “Son of the painter Giovanni and Anna Laura Scarsella, Tommaso Maria Conca was born in Rome on 22nd December 1734 and was baptised at S. Lorenzo in Damaso on the 24th. A funeral eulogy preserved in the Archives of the Accademia di S. Luca (vol. LXXII, n. 116, also in S. Conca, 1981, pp. 391 - 392) contains the main points of his biography. Conca spent a part of his childhood in Turin where his father, invited by the king of Sardinia, lived from November 1738 to June 1748, after which he returned to Rome. At his father's school Conca learned the principles of drawing and painting ”.
– Enciclopedia Treccani, Tommaso Conca]]> Artist: TOMMASO MARIA CONCA (Gaeta 1732 – Rome 1822)
Title: Offering gifts to Coroliano
Medium: Oil on canvas
Dimensions: cm 73 x 136
Period: Second half of the 18th century

]]> Paolo Gerolamo Piola (Genoa 1666-1724), Mary Magdalen buying scented oils https://www.galleriagiamblanco.com/en/prodotto/paolo-gerolamo-piola-genoa-1666-1724-mary-magdalen-buying-scented-oils/ Thu, 27 May 2021 16:25:08 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3426 Painting subject to the Superintendency’s authorization. "This magnificent painting is entirely and exclusively the work of Paolo Gerolamo Piola’s paint brush. It was quite a feat for him to stand out as a unique autography in a workshop like Casa Piola, where pictorial polyphony was to be found amongst multiple members of the same family. Son, nephew, brother, brother-in-law and uncle of artists, Paolo Gerolamo’s talent was to emerge in his early youth, as was his immersion in a unique style of painting. For this, he was clearly favoured by his father Domenico (1627-1703) and destined to succeed him in the management of the largest hotbed of ligurian arts between the 17th and 18th centuries. The undisputed, exclusive refinement of his role, strongly influenced the ligustic scene: his pictorial style is appreciated by contemporary artists and patrons who indulge in the grafting of Roman accents that were introduced through Carlo's workshop ". Click HERE for a full description in the Catalogue of Italian painting from the 17th to the 20th century, 2013, pg. 34-35.]]> Artist: PAOLO GEROLAMO PIOLA (Genoa 1666-1724)
Title: Mary Magdalen buying scented oils
Medium: Oil on canvas
Dimensions: 135 x 203 cm
Period: 17th century

]]> Paolo Gerolamo Piola (1666 – 1724), Diana/ Venus https://www.galleriagiamblanco.com/en/prodotto/paolo-gerolamo-piola-1666-1724-diana-venus/ Thu, 27 May 2021 16:22:58 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3424 Both canvases are in a good state of conservation. The sophisticated lightness of Venus, with her hair and decorative ribbons blowing in the wind, surrounded by flying birds attributed as doves, and the detached elegance of Diana, dressed in flowing drapery and escorted by three dogs in colourful furs, complement each other alongside the magnificent beauty ... (For the complete description, see Domenico Piola 1628 - 1703 in Paths of Baroque painting, edited by Daniele Sanguineti, Sagep Editori, 2017) Click HERE for a full description in the Catalogue Twenty-five years of activity 2017/2018, pg. 42-43]]> Artist: PAOLO GEROLAMO PIOLA (1666 – 1724)
Title: Diana
Medium: Oil on canvas
Dimensions: 76, 5 x 179 cm
Period: 1600

Title: Venus
Medium: Oil on canvas
Dimensions: 76, 5 x 179 cm
Period: 1600

]]> Orazio Riminaldi (Pisa 1593 – 1630), David displays the severed head of the giant https://www.galleriagiamblanco.com/en/prodotto/orazio-riminaldi-pisa-1593-1630-david-displays-the-severed-head-of-the-giant/ Thu, 27 May 2021 16:21:03 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3422 This painting carries a certificate of free circulation. This archetype David depicted with the severed head of the giant Goliath is found in one of Caravaggio's latest works, the David with the head of Goliath of the Borghese Gallery. In both paintings, David is depicted in half-bust, which is illuminated by a light that falls directly onto his body, alongside contrasting shades of light/shadow that define it; but the Caravaggesque matrix of this painting will also be found in its multiple variations, produced by Manfredi, Simon Vouet and Nicolas Tournier. One would almost say that this David, ruthless on the battlefield, stands here to represent, in the early part of the 17th century, the 'quietism' of Torquato Accetto in the political field ... Click HERE for a full description in the Catalogue Four centuries of painting 2016, pg. 16-17]]> Artist: ORAZIO RIMINALDI (Pisa 1593 – 1630)
Title: David displays the severed head of the giant
Medium: Oil on canvas
Dimensions: 114 x 93 cm
Period: 1615 ca

]]> Maria Giovanna Clementi, known as «la Clementina» (Turin 1690/1692-1761), Portrait of king Charles Emmanuel III of Savoy https://www.galleriagiamblanco.com/en/prodotto/maria-giovanna-clementi-known-as-la-clementina-turin-1690-1692-1761-portrait-of-king-charles-emmanuel-iii-of-savoy/ Thu, 27 May 2021 16:18:32 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3420 HERE for a full description in the Catalogue of Italian painting from the 17th to 18th century 2015, pg. 58-59]]> Artist: MARIA GIOVANNA BATTISTA BUZZANA CLEMENTI known as “LA CLEMENTINA” (Turin 1690/1692-1761)
Title: Portrait of king Charles Emmanuel III of Savoy
Medium: Oil on canvas
Portrait Dimensions: 74 x 53 cm
Details of chimney piece: Coeval frame in carved wood, lacquered and gilded 194 x 134 cm
Period: 1700

]]> Luigi Garzi (Pistoia 1638 – Rome 1721), Alpheus and Arethusa https://www.galleriagiamblanco.com/en/prodotto/luigi-garzi-pistoia-1638-rome-1721-alpheus-and-arethusa/ Thu, 27 May 2021 16:16:13 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3418 Alpheus and Arethusa at the Giamblanco Gallery dates back to the first decade of the 18th century, when Garzi would have returned to Rome after his stay in Campania, and it constitutes one of his top pictorial productions, combining his Emilian and Marattesc classicist orientation with the influences of the work of Nicolas Poussin. The elegance of the chiastic arrangement of the figures is associated with an extremely refined chromatic palette, skilfully counterpointing between the red and blue that distinguish and differentiate the male and female components. Click HERE for a full description in the Catalogue Twenty-five years of activity 2017/2018, pg. 54-55. Bibliography: S. Macioce, Il mito di Alfeo e Aretusa. Appunti d’iconografia, in Luigi Garzi 1638-1721. Pittore Romeno, edited by F. Grisolia and G. Serafinelli, Milan 2018, pp. 145-159.  ]]> Artist: LUIGI GARZI (Pistoia 1638 – Rome 1721)
Title: Alpheus and Arethusa
Medium: Oil on canvas
Dimensions: 121 x 171 cm
Period: 1705-10 ca

]]>