Artworks sold https://www.galleriagiamblanco.com Dipinti antichi a Torino dal 1993 Tue, 27 Jul 2021 11:04:30 +0000 en-GB hourly 1 https://wordpress.org/?v=6.5.5 https://www.galleriagiamblanco.com/wp-content/uploads/2020/12/Icona-sito_Giamblanco-100x100.png Artworks sold https://www.galleriagiamblanco.com 32 32 Giovanni Battista Carlone (Genoa, 1603 circa – Parodi Ligure, 1684 circa) – Joseph and Potiphar’s wife SOLD https://www.galleriagiamblanco.com/en/prodotto/giovanni-battista-carlone-genoa-1603-circa-parodi-ligure-1684-circa-joseph-and-potiphars-wife-sold/ Tue, 27 Jul 2021 11:04:29 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=4697 Artist: Giovanni Battista Carlone (Genoa 1603 – Parodi Ligure 1684)
Title: Joseph and Potiphar’s wife, 1630-1640 circa
Medium: Oil on canvas
Dimensions: 135 x 165 cm
Period: Seicento

Unpublished

Painting with certificate of free circulation

SOLD

Expertise by prof. Camillo Manzitti

]]> Valerio Castello (Genoa 1624-1659), David’s Triumph https://www.galleriagiamblanco.com/en/prodotto/valerio-castello-genoa-1624-1659-davids-triumph/ Thu, 27 May 2021 16:29:53 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3432 HERE for a full description in the Catalogue Four centuries of painting, pg. 20-21]]> Artist: VALERIO CASTELLO (Genoa, 1624-1659)
Title: David’s Triumph
Medium: Oil on canvas
Dimensions: 144 x 198 cm
Period: 1600

]]> Paolo Gerolamo Piola (Genoa 1666-1724), Mary Magdalen buying scented oils https://www.galleriagiamblanco.com/en/prodotto/paolo-gerolamo-piola-genoa-1666-1724-mary-magdalen-buying-scented-oils/ Thu, 27 May 2021 16:25:08 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3426 Painting subject to the Superintendency’s authorization. "This magnificent painting is entirely and exclusively the work of Paolo Gerolamo Piola’s paint brush. It was quite a feat for him to stand out as a unique autography in a workshop like Casa Piola, where pictorial polyphony was to be found amongst multiple members of the same family. Son, nephew, brother, brother-in-law and uncle of artists, Paolo Gerolamo’s talent was to emerge in his early youth, as was his immersion in a unique style of painting. For this, he was clearly favoured by his father Domenico (1627-1703) and destined to succeed him in the management of the largest hotbed of ligurian arts between the 17th and 18th centuries. The undisputed, exclusive refinement of his role, strongly influenced the ligustic scene: his pictorial style is appreciated by contemporary artists and patrons who indulge in the grafting of Roman accents that were introduced through Carlo's workshop ". Click HERE for a full description in the Catalogue of Italian painting from the 17th to the 20th century, 2013, pg. 34-35.]]> Artist: PAOLO GEROLAMO PIOLA (Genoa 1666-1724)
Title: Mary Magdalen buying scented oils
Medium: Oil on canvas
Dimensions: 135 x 203 cm
Period: 17th century

]]> Orazio Riminaldi (Pisa 1593 – 1630), David displays the severed head of the giant https://www.galleriagiamblanco.com/en/prodotto/orazio-riminaldi-pisa-1593-1630-david-displays-the-severed-head-of-the-giant/ Thu, 27 May 2021 16:21:03 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3422 This painting carries a certificate of free circulation. This archetype David depicted with the severed head of the giant Goliath is found in one of Caravaggio's latest works, the David with the head of Goliath of the Borghese Gallery. In both paintings, David is depicted in half-bust, which is illuminated by a light that falls directly onto his body, alongside contrasting shades of light/shadow that define it; but the Caravaggesque matrix of this painting will also be found in its multiple variations, produced by Manfredi, Simon Vouet and Nicolas Tournier. One would almost say that this David, ruthless on the battlefield, stands here to represent, in the early part of the 17th century, the 'quietism' of Torquato Accetto in the political field ... Click HERE for a full description in the Catalogue Four centuries of painting 2016, pg. 16-17]]> Artist: ORAZIO RIMINALDI (Pisa 1593 – 1630)
Title: David displays the severed head of the giant
Medium: Oil on canvas
Dimensions: 114 x 93 cm
Period: 1615 ca

]]> Maria Giovanna Clementi, known as «la Clementina» (Turin 1690/1692-1761), Portrait of king Charles Emmanuel III of Savoy https://www.galleriagiamblanco.com/en/prodotto/maria-giovanna-clementi-known-as-la-clementina-turin-1690-1692-1761-portrait-of-king-charles-emmanuel-iii-of-savoy/ Thu, 27 May 2021 16:18:32 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3420 HERE for a full description in the Catalogue of Italian painting from the 17th to 18th century 2015, pg. 58-59]]> Artist: MARIA GIOVANNA BATTISTA BUZZANA CLEMENTI known as “LA CLEMENTINA” (Turin 1690/1692-1761)
Title: Portrait of king Charles Emmanuel III of Savoy
Medium: Oil on canvas
Portrait Dimensions: 74 x 53 cm
Details of chimney piece: Coeval frame in carved wood, lacquered and gilded 194 x 134 cm
Period: 1700

]]> Giovanni Battista Beinaschi (Fossano 1634/1636 – Naples 1688), Jacob’s dream https://www.galleriagiamblanco.com/en/prodotto/giovanni-battista-beinaschi-fossano-1634-1636-naples-1688-jacobs-dream/ Thu, 27 May 2021 16:06:32 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3408 HERE for a full description in the Catalogue Twenty-five years of activity 2017/2018, pg. 50-51]]> Artist: GIOVANNI BATTISTA BEINASCHI (Fossano 1634/1636 – Naples 1688)
Title: Jacob’s dream
Medium: Oil on canvas
Dimensions: 144 x 195 cm
Period: 1675 – 1680

]]> Gian Antonio Pellegrini (Venice 1675 – 1741), Scipio’s magnanimity https://www.galleriagiamblanco.com/en/prodotto/gian-antonio-pellegrini-venice-1675-1741-scipios-magnanimity/ Thu, 27 May 2021 16:04:18 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3406 HERE for a full description in the Catalogue of Italian painting from the 17th to 18th century 2014, pg. 50-51]]> Artist: GIAN ANTONIO PELLEGRINI (Venice 1675 – 1741)
Title: Scipio’s magnanimity
Medium: Oil on canvas
Dimensions: 105 x 130 cm
Period: 1700

]]> Francesco Cairo (Varese 1594 – Milan 1674), Venus, Mars and Cupid https://www.galleriagiamblanco.com/en/prodotto/francesco-cairo-varese-1594-milan-1674-venus-mars-and-cupid/ Thu, 27 May 2021 16:02:09 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3404 Artist: FRANCESCO CAIRO (Varese 1594 – Milan 1674)
Title: Venus, Mars and Cupid
Medium: Oil on canvas
Dimensions: 122 x 154 cm
Period: 1600

]]> Castelli «Lo Spadino» (Rome, 1659 – 1730 circa) – Amorosi (Comunanza 1660 – Rome 1738), Still life https://www.galleriagiamblanco.com/en/prodotto/castelli-lo-spadino-rome-1659-1730-circa-amorosi-comunanza-1660-rome-1738-still-life/ Thu, 27 May 2021 15:54:31 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3395 HERE for a complete description in the Catalogue of Italian Painting from the 17th to 18th century 2014, pg. 44-45]]> Artists:
 GIOVANNI PAOLO CASTELLI known as «LO SPADINO» (Rome 1659 – 1730 circa)
, ANTONIO MERCURIO AMOROSI (Comunanza 1660 – Rome 1738)
Title: Still life
Medium: Oil on canvas
Dimensions: 123 x 149 cm
Period: 1600

]]> Bernardo Strozzi (Genoa 1581 – Venice 1644), Parable of the wedding guest https://www.galleriagiamblanco.com/en/prodotto/bernardo-strozzi-genoa-1581-venice-1644-parable-of-the-wedding-guest/ Thu, 27 May 2021 15:52:15 +0000 https://www.galleriagiamblanco.com/?post_type=product&p=3393 This canvas is currently kept at the Gallerie Accademia, Venezia. Bernardo Strozzi (also known as "the Capuchin" or "the Genoese Priest" for his biographical events), a fundamental figure in Italian painting in the early 17th century, was born in Genoa in 1581 and did his apprenticeship in the workshop of the Tuscan mannerist Pietro Sorri. A Capuchin Friar, due to judicial problems with his order, he moved to Venice in 1633, where, as an established artist, he immediately obtained important commissions. In 1636 Strozzi painted a large oval canvas to be placed on the ceiling above the main altar in the Venetian church Ospedale degli Incurabili, representing the "Parable of the wedding guest". The decorative project was completed several years later, alongside Padovanino's "Parable of the wise virgins and the foolish virgins" (completed in 1644) and the “Paradiso", begun by Sante Peranda in 1638 and completed after his death by Francesco Maffei. The iconographic reading of this composition obviously revolves around "Paradise", with the two parables alluding to the need for the soul to be ready to rise to heaven at the time of death. This large canvas, owned by the Giamblanco Gallery, is an extraordinary fragment of that composition. Click HERE for a full description in the Catalogue of Italian painting from the 17th to 18th century 2015, pg. 10-13]]> Artist: BERNARDO STROZZI (Genoa, 1581 – Venice, 1644)
Title: Parable of the wedding guest
Medium: Oil on canvas
Dimensions: 183 x 126,5 cm
Period: 1636

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